123 Samples Videos

Battlefield 3 Soundtrack Samples [FULL SOUNDTRACK LINK]

This is a sample of all of the tracks in the Battlefield 3 Original Soundtrack. Playlist for the full OST here: www.youtube.com Composed by Johan Skugge & Jukka Rintamaki Track Listing: 1. Battlefield 3 Main Theme 0:00 – 0:30 2. Thunder Run 0:30 – 1:00 3. The Red Wire 1:00 – 1:30 4. Solomon’s Theme 1:30 – 2:00 5. Spark 2:00 – 2:30 6. Frostbite 2:30 – 3:00 7. The Death of Vladimir 3:00 – 3:30 8. Fire From the Sky 3:30 – 4:00 9. Kaffarov’s Villa 4:00 – 4:30 10. Operation Metro 4:30 – 5:00 11. La Bourse 5:00 – 5:30 12. Tremors 5:30 – 6:00 13. Choked 6:00 – 6:30 14. Black Gold 6:30 – 7:00 15. The Great Destroyer 7:00 – 7:30 16. Hunter’s Point 7:30 – 8:00 17. Brawl 8:00 – 8:30 18. Interrogating Blackburn 8:30 – 9:00 19. Battlefield 3 Dark Theme 9:00 – 9:32

Top 10 Samples in Hip-Hop History – Part II

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The Intruders – “Together” (1967)

The Intruders were an American soul music group most popular in the 1960s and 1970s. As one of the first groups to have hit songs under the direction of Kenny Gamble and Leon Huff, they had a major influence on the development of Philadelphia soul. Formed around 1960, the group originally consisted of Sam “Little Sonny” Brown, Eugene “Bird” Daughtry, Phillip “Phil” Terry and Robert “Big Sonny” Edwards. In 1969, Sam Brown was replaced as lead singer by Bobby Starr, only to rejoin the group in 1973. In 1965, when songwriters and record producers Kenny Gamble and Leon Huff first contemplated leaving the Cameo-Parkway record label to risk launching their own label, the vocalists on which they pinned all their hopes and venture capital were The Intruders. Like many other subsequent acts the duo produced, which include the popular Harold Melvin and the Blue Notes and The O’Jays, The Intruders had already developed a vocal sound that was both theirs and uniquely Philadelphian. Brown, Daughtry, Terry and Edwards had been recording and performing one-off singles together since 1961, blending Philly’s street corner doo-wop tradition with black gospel fervor. The result was neither as pop-infected as Motown, nor as funky and blues-inflected as Stax. The sound which The Intruders refined for the Excel, Gamble and Philadelphia International imprints reflected a different attitude than either Stax or Motown. Gamble and Huff’s success with The Intruders helped convince Columbia Records